In what ways does your media product use, develop or challenge forms and conventions of real media products?
Our Media product conforms to many aspects of the psychological genre. Prior to producing our teaser trailer, we carried out extensive research by deconstructing films, which explore a similar narrative to Insidious and The Orphan. Through this research we were able to establish the conventions of the horror genre such as dull colours, low key lighting, fast pace editing and use of eerie non-diegetic sounds. We were also able to explore the different ways of displaying “found footage”. The two films focus on found footage, just in a slightly different way. For example, The Blair Witch Project uses a college documentary style whereas; Quarantine uses a TV show in order to record the events. After deconstructing films that all followed a similar style, we were able to product a media product that focuses on an investigation carried out by college students.
Teaser Trailer
Narrative
Most Horror trailers follow a traditional linear narrative, which simply displays a series of events in a chronological order, being one of its listed conventions. Based on this, our trailer conforms to this convention yet also subverts it – 90% of our trailer is filmed in a linear style however we do include a series of both flash backs and flash forwards therefore taking on the anachronic modular narrative. This is established at the beginning when our character is heavy breathing and panting (flash forward) followed by TV new reports of missing people (flash backs).
Most Horror trailers follow a traditional linear narrative, which simply displays a series of events in a chronological order, being one of its listed conventions. Based on this, our trailer conforms to this convention yet also subverts it – 90% of our trailer is filmed in a linear style however we do include a series of both flash backs and flash forwards therefore taking on the anachronic modular narrative. This is established at the beginning when our character is heavy breathing and panting (flash forward) followed by TV new reports of missing people (flash backs).
Sound
With our use of non-diegetic, uncomfortable and eerie sounds, we were able to make our trailer conform more to the supernatural horror genre conventions. The background sound heard throughout the introduction by our first character builds the tension, allowing the audience to image what is about to happen. An exact example of this is when the sound of the music increases as well as lowering in pitch as it shows the audience that something bad is soon going to happen.
With our use of non-diegetic, uncomfortable and eerie sounds, we were able to make our trailer conform more to the supernatural horror genre conventions. The background sound heard throughout the introduction by our first character builds the tension, allowing the audience to image what is about to happen. An exact example of this is when the sound of the music increases as well as lowering in pitch as it shows the audience that something bad is soon going to happen.
Characters
Furthermore we conform to the conventions of the supernatural horror genre as it builds tension and provokes a scare factor among the audience. In combination with our sound and our fast pace straight cuts we are able to create tension and atmosphere, which leads up to our final scare scene at the end of our trailer. However, we also decided to challenge the conventions due to our choice of protagonist. Most supernatural horror films involve male protagonists as well as female; however, we decided to subvert these conventions in order to evoke more empathy from our audience. In addition to this, we used a female antagonist, which appears to conform to supernatural horror conventions in films today, as more antagonists appear to be female. Finally, we subverted and challenged the conventions a second time by not using much gore/blood, however, we still managed to achieve our scare factor due to jump scenes.
Furthermore we conform to the conventions of the supernatural horror genre as it builds tension and provokes a scare factor among the audience. In combination with our sound and our fast pace straight cuts we are able to create tension and atmosphere, which leads up to our final scare scene at the end of our trailer. However, we also decided to challenge the conventions due to our choice of protagonist. Most supernatural horror films involve male protagonists as well as female; however, we decided to subvert these conventions in order to evoke more empathy from our audience. In addition to this, we used a female antagonist, which appears to conform to supernatural horror conventions in films today, as more antagonists appear to be female. Finally, we subverted and challenged the conventions a second time by not using much gore/blood, however, we still managed to achieve our scare factor due to jump scenes.
Found Footage
We took the idea of Found Footage as featured within Quarantine, Paranormal Activity and The Blair Witch Project and developed it into something usinque and unseen within the Found Footage Sub Genre. For example, all of the above films use FF however, the entire film is done within this style. We included a few clips filmed in this style however, a lot of our trailer was filmed in a secondary style, as though the camera isn't there. This enables the audience to understand what the characters are feeling as well as watch the film from an outsiders point of view.
Secondary Footage ^
Found Footage ^
Poster
When it came to our poster, we decided to subvert
conventions by steering away from stereotypical, red, white and black colours
that are traditionally linked with the horror genre such as The Blair Witch
Project.
Prior to the designing stage of our poster, we decided to deconstruct supernatural Horror posters such as The Blair Witch Project and Sinister. From Sinister, we noted that
Prior to the designing stage of our poster, we decided to deconstruct supernatural Horror posters such as The Blair Witch Project and Sinister. From Sinister, we noted that
- The colour scheme is the generic black, white and red – suggesting blood, gore and death.
- The tag lines makes the audience wonder who they are talking about, this other entity
- The image includes a small child, as they are creepier than an adult as well as having “His” face drawn in blood on the wall behind her.
During the process of deconstructing these film posters, we
decided to challenge the conventions of supernatural horror film posters and
use the bright colours featured within our trailer in order to make our poster
stand out against and subvert conventions. We used Quarantine as our main
Source of Inspiration due to the bright colours used on the poster in order to
make the film poster stand out.
The main image is a very basic shot that explains the
narrative of our trailer within one shot – one the right we see one of the four
protagonists, hiding away, whereas; on the left we see a faint outline of the
antagonist far in the background, which quite easily displays the genre of our
trailer.
We decided to adjust the saturation and vibrancy of the
image within Photoshop in order to brighten our colours to match better with
our film (as many people suggested that the bright colour scheme works well
with subverting the conventions). By adding the Vignette style around the
outside of the image, as well as using white typography, we were able to
conform to conventions of the colour scheme – white and black, allowing the
audience to easily identify the genre of our trailer.
Website
After extensive research about supernatural horror filmwebsites we decided to try and use one of the photos taken during the
photoshoot for our Poster however, these photos proved insufficient due to the
sizing and positioning. Therefore, we took a still from our trailer in order to
make it work well with the size of the screen. After deconstructing the website
of “Oculus”, we decided to stick to very subtle dark colours for our typography
and links as we didn’t want our image to be too overpowering.
When editing the still shot, we added on some ratings and
reviews from imaginary websites in order to make our website appear more
believable to our audience. We kept our still shot at the same saturation and
vibrancy as we used within the trailer itself. Most of our website is very
simple, due to the colour scheme and use of basic HTML – such as simple text,
one basic picture, our trailer and a couple of social media links.













































